Ahmet Öğüt, Somebody Else’s Car, 2005
Ahmet Öğüt, Somebody Else’s Car, 2005, 20 slides, two slide projectors, courtesy the artist, Amsterdam. Photo: Ahmet Öğüt

Ahmet Öğüt: Underestimated Zones

October 23, 2010 – January 9, 2011
Laumeier Sculpture Park Galleries

Laumeier Sculpture Park presents Amsterdam-based artist Ahmet Öğüt in an exhibition of works from 2005-2010 in his first one-person exhibition in the Midwestern United States. The selection of works represents the range of Öğüt’s interests—from the creation, and destruction, of public space to the subtleties of the urban environment. The exhibition, which opens October 23, will illustrate the breadth and depth of the artist’s exploration of the collective creation of shared space. Laumeier visitors will experience the artist’s sly humor as he probes and pokes at the boundaries of social barriers and cultural norms.

Among the exhibition that will feature still images, video and mixed media is a unique installation titled Ground Control. Laumeier’s tile gallery will be covered in asphalt that will slowly be compressed by the weight of the visitors. Originally installed in Berlin, the work referred to the public perception in Turkey that, before elections, the government “pretties up” roads in order to gain votes. When shown in a white box museum space, however, the work can suggest the power of the material with its lingering smell. At Laumeier, the work has another set of associations altogether. As a park, Laumeier functions as a public space held in trust for public enjoyment. The grounds around Laumeier are not strictly “natural”—humans have been acting on and through this landscape for over 100 years. In fact, some park visitors arrive expecting Laumeier’s wooded landscape to be fully accessible by smooth pavement. Ground Control explores the ways in which we fight to control our natural environment.

While offering a clear international perspective, much of Öğüt’s work will be resonant among American viewers given the shifting protections for individual liberties after 9 / 11. The work questions our assumptions about security, surveillance, authority and social order with a sense of humor and irony.

Ahmet Öğüt (pronounced “oot”) was born in Diyarbakir, Turkey, in 1981 and works and lives in Amsterdam, The Netherlands. He received his BA in painting from Hacettepe University, Ankara, Turkey, in 2003, his MA from the Art and Design Faculty at Yildiz Teknik University in Istanbul in 2006 and studied at the Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands, from 2007 – 2008. His work has been exhibited around the world including the Venice Biennial in 2009.

Curator's Talk: December 11, 2010, 11AM-Noon
(Free and open to the public)

Exhibition Opening Reception: October 23, 2010,
4–5 PM (Member's Preview); 5–7 PM (Free Public Reception)


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Fall / Winter Museum hours are:
Wednesday-Friday 10:00 AM-5:00 PM and Saturday-Sunday 12:00 PM-5:00 PM (Free)

Ahmet Öğüt, This area is under 23 hour video and audio surveillance, 2009
Ahmet Öğüt, This area is under 23 hour video and audio surveillance, 2009, ink on aluminum plate, ed. 30 + 2 AP, 8 x 11 ½ inches, courtesy the artist, Amsterdam. Photo: Ahmet Öğüt


Funding for Ahmet Öğüt: Underestimated Zones has been provided by St. Louis County Parks, the Missouri Arts Council, the Regional Arts Commission, the Arts and Education Council of St. Louis, the University of Missouri – St. Louis, Webster University’s Leigh Gerdine College of Fine Arts – Department of Art, Cheri Hoffman and the Mark Twain Bank Endowment Fund. This program is also supported, in part, by public funds from the Netherlands Cultural Services.